May 1, 2012

NEW EDITORIAL // IN PRAISE OF SLOW MASTERY: 10 GREAT ACHIEVEMENTS THAT TOOK TIME

In an ideal world, the road from idea to reality is proven and predictable, with a distance made fathomable by visible benchmarks. But more frequently - especially in pursuit of less linear concepts like art, drastic innovation, or even paradigm shifts - time is mutable and you can't project when completion will come.

Read more at The 99%

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She Says Boulder // 2012 Kickoff

Last week I had a blast presenting at the 2012 Kickoff event for SheSays Boulder, the Colorado chapter of a global creative network for women (one that boasts some really awesome collaborators/initiatives, you should know about them). 

We took a retrospective look at internet trends, following each year's emerging technology and subsequent impact on digital communication, branding and even careers. The career part is what wound up cracking me up a bit - because even though it's painfully obvious now, I don't think I've ever consciously acknowledged that my own (short) career is nothing but a succession of jobs that didn't even exist the year before I took them. That either makes me digitally savvy or a miserable trend whore. Meh.

Anyway, because this was a bit of a mentoring event, I paired each year o' the internet with a few important lessons learned during each of them - times when I was working from the back of a classroom, in a coffeeshop, in an agency, in a startup, and now in a startup I'm a partner in. It's crazy how much I've been exposed to, and I'm so grateful for the people that have welcomed me into the places where I learned this stuff. These lessons aren't all that awesome out of context, but a few attendees asked me to post this for future reference. So here you go, gals - and thanks again for having me!

No matter where you live, if you live in the internet you live everywhere.

You are responsible for your own education. And reverse education.

Creativity feels f*cking awesome.

Trust the feeling that feels like exclamation points.

Willpower is power, and vice versa.

Culture comes from the bottom up.

Writing in your pajamas is lovely.

Impeccable communication, while highly rated, is still underrated. Ditto for emotional intelligence.

Everyone has an opinion. You might as well embrace yours.

Internet literacy is actually not common. At all. Yet.

Surround yourself with people you want to be like.

Quarter life crisis are real. And you should welcome them.

Change is really hard.

Data is King, but the King’s too fat to trailblaze.

Sour is scary.

You can always re-find what you were.

Pick your partners well.

Aspire to be balanced.

Ask for help (and find the best help you can find).




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Nov 11, 2011

COMMON Pitch NYC // Collaborative Consumption [BAM!]

Hooray, y'all - it's time for another COMMON Pitch. To say that I'm excited about bringing this party to NYC does no justice to the way I'm really feeling - which is to say, I'm swooning and shaking and dying. Like in the happy way, not the Black Plague way. 

New York pals - saddle up!

.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .

COMMONcm and Social Media Week just announced the opening of submissions for COMMON Pitch NYC, a community event celebrating the next generation of collaborative social platforms. Featuring ten entrepreneurs and their fresh ideas for collaborative consumption, COMMON Pitch will highlight the smartest and most efficient ways to utilize social technologies to borrow, share or trade the things we all need.

Date: Feb 15, 2012
Submissions Open: Nov 11, 2011
Submissions Close: January 9, 2012

More info (including how to apply) here!

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Nov 4, 2011

The Making of Occupationalist.org

BDW x Fearless recently collab'd to create The Occupationalist, a really nifty news aggregator for the Occupy Movement. I could go on about this project for hours - it's highs, lows, lessons, losses that wound up being wins - but will spare you the words in trade for this awesome video by Nick Todd.  

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Oct 6, 2011

Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything -- all external expectations, all pride, all fear of embarrassment or failure -- these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.

Steve Jobs

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Sep 21, 2011

New Editorial

New Editorial

Originally pubished on The Denver Egotist and Fearless Revolution. Illustration by Rachel Marshall.

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Jul 22, 2011

New Editorial

New Editorial

A new article for a publication I consider one of the best resources for creatives out there, The 99%. Thanks to my amazing editor, Jocelyn Glei, for her support in pulling it together, and to the brilliant group of people who are responsible for the crazy-useful stuff it contains. 

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Jun 22, 2011

Please don't run me over.

Please don't run me over.

New guest post for the very awesome Adventurous 500 - gimme spandex.

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Apr 24, 2011

Professionalism is not enough or the good is the enemy of the great. Early in my career I wanted to be professional, that was my complete aspiration in my early life because professionals seemed to know everything —not to mention they got paid for it. Later I discovered after working for a while that professionalism itself was a limitation. After all, what professionalism means in most cases is diminishing risks. So if you want to get your car fixed you go to a mechanic who knows how to deal with transmission problems in the same way each time. I suppose if you needed brain surgery you wouldn’t want the doctor to fool around and invent a new way of connecting your nerve endings. Please do it in the way that has worked in the past. Unfortunately in our field, in the so–called creative—I hate that word because it is misused so often. I also hate the fact that it is used as a noun. Can you imagine calling someone a creative? Anyhow, when you are doing something in a recurring way to diminish risk or doing it in the same way as you have done it before, it is clear why professionalism is not enough. After all, what is required in our field, more than anything else, is the continuous transgression. Professionalism does not allow for that because transgression has to encompass the possibility of failure and if you are professional your instinct is not to fail, it is to repeat success. So professionalism as a lifetime aspiration is a limited goal.

Milton Glaser | Manifesto Project

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Apr 9, 2011

The Designful Company

The Designful Company

I'm currrently reading Marty Neumeier's book The Designful Company, and this little equation featured inside it just made me pants-peed gleeful. I'm a little wine buzzed, so there's a chance the clever use of that emoticon just got to my head, but whatever - hope you see the same articulate awesomeness in there that I do.

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Apr 8, 2011

SwipeGood is Right

SwipeGood is Right

So excited to hear that SwipeGood, a startup that rounds your purchases to the nearest dollar, then donates the spare pennies to the charities of your choice, is finally set up to work automatically with credit card companies.

I'm so dang enamored with this idea - simple concept, low-effort involvement, powerful implications. Check them out (and sign up)!

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Mar 24, 2011

I've Got a Crush on Angela Chen

I've Got a Crush on Angela Chen

As a weird but welcome hangover from my trendsetting days, I get a gaggle of Toronto Fashion Week invites every time the seasons turn. Normally they taunt me only gently, but holy cow, this one's a keeper.

Thanks for the love, Lotus Leaf!

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Mar 14, 2011

Bad design comes in many forms. Things that are unsafe. Things that don’t work properly, or are unnecessarily complicated. Things that are ethically or environmentally unsound. Crimes against design are different. They deprive us of the joy of great design, by wrecking or replacing it.

How to Ruin a Great Design - NYTimes.com

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Mar 12, 2011

Peter Panables

I love it when people drop quotes from kids movies in everyday conversation. That person is never me - though I'd kill for that repertoire - but to feel the words with the weight of a grownup's respect for them is such an awesome example of evolving perception and comprehesion. Like J.M. Barrie, who wrote Peter Pan. Total weirdo. But God he was good with words.

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Mar 3, 2011

Pinkberry Swirly Grams

First of all, I'm a girl, and it's my God-given fucking right to have a kitten every time Pinkberry makes a move.

Secondly, fuck yeah for whoever is responsible for Pinkberry's font, because I've spent this whole time thinking it was Arial when it's actually some mod that just turned my heart into a quivery Snack Pack (and it happens to look EPIC in that pink. The font I mean, not my pudding insides).

And thirdly, when companies successfuly build seasonal campaigns inspired by brand-true interpretations of happiness/love/christmas/whatever, I just get really. fucking. jazzed. Because almost everyone in advertising has their own little internal battle with consumerism, and stuff like this just heals you up a bit.

More pics and info at The Dieline.

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Feb 23, 2011

Comparative Stats...


...really help put things into perspective. Praying someone makes an infographic around this. 

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Feb 21, 2011

On Matching Normals


   

A few days ago, someone I very much respect said something that very much made me want to break his neck. 

I'll save you the conversation's peripheries, but in effect we were discussing normalcy - specifically, his opinion of a situation that he found to be very normal. This wasn't an interpersonal situation, but a work situation, interpreted according to his standards in regards to performance and quality. It was also a work situation that we shared.

It was also a situation that I saw as a hot, hot mess, and I was on fire with frustration from his blockheaded unwillingness to confront, discuss and fix it.

Traditionally, me and this fellow had seen very eye to eye, but a gradual parting of our individual perceptions had been digging a pretty foretelling gulch between us. I'd attributed the parting to outside factors - stress, time constraints, etc - but still wore the lazy communication hangover of one of those relationships where you read each other's minds and finish each other's sentences. 

This conversation delivered a seriously needed sucker punch to that hangover (super messed up, those hangover sucker punches) because in the midst of wondering how best to conduct a clean murder in a coffee shop full of hippies, my heart broke a little. I'd suddenly realized just how seriously our shifting perceptions of normal - and our failure to communicate them - had seriously impacted our ability to work as a team. He saw market ready, I saw mockup.

This isn't to say that my opinion about what we should have achieved was right, or that his comfort with our performance was slovenly. My tiff with Mr. Disagreable was beyond the point where one of us was definitevely right. It was purely a matter of standards, of our own personal definition of normalcy.

Sharing a similar set of norms is one of the best efficiency tools we've got. It cuts out communication time, guards against miscommunication and acts as a natural corral for aligning goals and expectations. When norms match up, it's smooth sailing. When norms differ, there isn't a sail, just a bunch of people paddling off stroke. If you catch my drift, it's the difference between Apple and Microsoft.

But the tricky thing about normal is that there's no such thing. There's a level where stuff is undoubtedly horrific, and a level where stuff is undoubtedly amazing, and all the stuff in the middle is sort of - open to interpretation. What are the industry standards? What are the standards of the audience? What standards are specific to your individual business and employees? Are you German?

Settling on an unchanging definition for normal is impossible, but entertaining the same interpretation of it is imperative to a company's ability to fully realize a common goal. Standards and expectations make up the invisible bar for performance that we are accountable to, and when they differ within the same walls - well, no wonder we get frustrated. 

Here's some stuff I learned from this near bloodbath:

  • Good teams aren't so much the matching of minds as the matching (and guarding) of normals. 
  • Efficiency increases when perceptions of normal are the same, and decreases when they differ.
  • Opportunities for miscommunication increase when perceptions of normal are different.
  • The feeling of frustration is one of the best clues that you might be dealing with normalcy differences.
  • To keep your team on track, consistently take the temperature for their standard of normal, for everything from broad company vision to per-project success metrics. Then make sure it's widely communicated.
  • This stuff is absolutely as applicable to interpersonal relationships as it is to business ones.

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Feb 20, 2011

Solange Azagury-Partridge, You Minx

 


Sometimes I miss the days when I got to loll around in my undies, get jacked on huge pots of coffee and write about stuff no one really knew about yet. Especially times like right this effing second, when I feel pretty washed up for having just found Solange Azagury-Partridge - some impossibly individualistic jewelry designer who's clearly been badassing around long enough to have opened a flagship store in New York City. And god is it the blessed antitheses to Tiffany's. And holy god is it possible that this jewelry designer is also a former interior designer that hand crafted the preposterously and unreasonably amazing space below. Shivvver.

 

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Feb 14, 2011

Every Day is Valentines Day with TAJAZZLE


Watch these babes try to hold back their enthusiasm and pronounce the word 'Tajazzle' at the same time.

Happy V-Day, lovers.

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Feb 9, 2011

Are your kids creatively fkd?


Research shows that the creativity of America's children, specifically those between the ages of 5 and 12, is declining. Just to clarify: this doesn't mean that our kiddos are showing reduced skillz with crayonz, it means their ability to solve problems without pre-defined answers is fading out.

It would be nice to correlate this decline in creativity with a decline in overall intelligence, indicating some nasty flaw in the education system. However, the same kids with decreasing creativity scores are delivering increasing IQ scores - which is considered by many as a fair indicator of schools' health.

Meanwhile, creativity has become the #1 sought after trait in today's executives (that's all executives, not just those in advertising), and our future depends on the ability of tomorrow's leaders to think in ways we've yet to fathom. Is our "fill in the blank" style of education destroying our kids' ability to think outside the - blank?

The debates over education are dirty, political and rightfully complex, but at the end of the day, teachers can seem to find agreement in the following point of angst: today's educational system isn't making it easy to teach creatively, let alone teach creativity.

What the system does seem to be doing (and what those declining creativity scores seem to confirm) is perpetuating the idea that for every problem, there is an answer, and if you don't have that one answer memorized, you won't just be wrong - your future might be at stake.

It smells a lot like fear-based education. And nothing kills creativity like fear.

Teachers are fearful that their kids won't make the cut if they don't fill in the right bubbles. Parents are fearful that their kids' futures will be sabotaged if they don't measure up to the given "standard." Kids, like grownups, are just fearful of failure, and when creativity goes unrewarded - or even punished - that's what it becomes associated with.

Creativity is about taking risks, tenaciously pursuing something undefined, and feeling gratitude for the lessons (ie, the failures) we learn along the path to our answer. Some might even define creativity as the opposite of fear; a sort of open-minded courage to attack real problems without the safety net of pre-defined conclusions. In other words, creativity doesn't mesh well with the rules inherent to today's education system.

There's an interesting challenge flying around the advertising world this week that hopes to directly address this problem. Dubbed No Right Brain Left Behind, the challenge is a sort of open source, pro-bono problem busting event, which you can learn more about here (and if you'd like to get involved, the group I'm part of is still accepting participants - hurry over this way for more info).

The ideas born from this challenge will be interesting to review, but the implementation of those ideas is what's really gonna keep the creative zombies at bay.

 

This article was written for The Denver Egotist.

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